Edifier Studio 6 Speakers 2.0 audio.
Showing posts with label Studio. Show all posts
Showing posts with label Studio. Show all posts
Tuesday, 12 March 2013
Edifier Studio 6 - High Performance Home Speaker System
Edifier Studio 6 - High Performance Home Speaker System Tube. Duration : 5.13 Mins.
Edifier Studio 6 Speakers 2.0 audio.
Edifier Studio 6 Speakers 2.0 audio.
Monday, 4 March 2013
Prodipe Pro Ribbon 5 Powered Studio Monitors
Prodipe Pro Ribbon 5 Powered Studio Monitors Tube. Duration : 0.98 Mins.
Link: www.buy.com Prodipe Pro Ribbon 5 Studio Monitors. So, what the heck is a Ribbon speaker/monitor? Compared to dome tweeters, either in metal, plastic or fabric, ribbon tweeters have the advantage of a much lower mass. The results are greater acceleration; then you can better reproduce transitions and high frequencies, and a more natural rendition for this end of the spectrum. Moreover, an improved performance in the high range leads to a better linkup with the speaker that does the other end of the spectrum. These extras make the monitors with a ribbon tweeter especially useful during acoustical music recordings where considerations of timbre and space are paramount. Frequency Response: 50Hz -30kHz High Frequency Driver: - 1? x 2"" - Ribbon tweeter Low Frequency Driver: - 5? (150 mm) - Glass Aramid Composite Cone Rubber surround Power : 75 Watts Signal to Noise Ratio (HF/LF): 82dB / 90dB THD%(HF/LF): 0.05% / 0.02% Input Impedance: - Balanced: 10K OhmS - Unbalanced: 10K OhmS Crossover Frequency: 3.0KHz Subsonic Filter: 45Hz FEATURES: - 1 XLR Input - 1 TRS Input - 1 RCA Input - IEC Mains Connector - VOLUME Control - HF LEVEL Control - Blue LED Power Indicator
Link: www.buy.com Prodipe Pro Ribbon 5 Studio Monitors. So, what the heck is a Ribbon speaker/monitor? Compared to dome tweeters, either in metal, plastic or fabric, ribbon tweeters have the advantage of a much lower mass. The results are greater acceleration; then you can better reproduce transitions and high frequencies, and a more natural rendition for this end of the spectrum. Moreover, an improved performance in the high range leads to a better linkup with the speaker that does the other end of the spectrum. These extras make the monitors with a ribbon tweeter especially useful during acoustical music recordings where considerations of timbre and space are paramount. Frequency Response: 50Hz -30kHz High Frequency Driver: - 1? x 2"" - Ribbon tweeter Low Frequency Driver: - 5? (150 mm) - Glass Aramid Composite Cone Rubber surround Power : 75 Watts Signal to Noise Ratio (HF/LF): 82dB / 90dB THD%(HF/LF): 0.05% / 0.02% Input Impedance: - Balanced: 10K OhmS - Unbalanced: 10K OhmS Crossover Frequency: 3.0KHz Subsonic Filter: 45Hz FEATURES: - 1 XLR Input - 1 TRS Input - 1 RCA Input - IEC Mains Connector - VOLUME Control - HF LEVEL Control - Blue LED Power Indicator
Thursday, 28 February 2013
SUBWOOFER CONSTRUCTION 15"x2 wf( 2x wf 38cm)-very low cost high power subwoofer
SUBWOOFER CONSTRUCTION 15"x2 wf( 2x wf 38cm)-very low cost high power subwoofer Tube. Duration : 5.28 Mins.
Sub-woofer Bass Reflex System with 2 x 15'' woofers for each box All you need for the construction of the box is vinylic glue, recycled hard cardboard, tape, silicone and paint. ....... Very very cheap!!!!!! The box was built with 4 layers of thick cardboard glued together. As the glue dries it hardens and the layers become hard as wood. In this way the box is capable of resonance and can reproduce extra low frequencies. This system can reproduce very powerful basses. Music is played with a high efficiency almost as if the sub-woofer was built with wood. In this prototype we used black tape to cover the surface of the box but it is possible also to paint it once the glue has dried The woofers where fixed in place with silicone in order to seal and not permit any air to pass When we finished the box we carried out many acustic tests using for example rock (hardrock and heavymetal), classical music and nature sound effects such as waterfalls and others...... We also tested the sound of the tibetan horn which reproduces very very low frequencies. The vibrations can be percieved strongly on your stomach and the rest of your body as it happens when you physically stand next to a tibetan horn. Towards the end of the video you will find specific tests which prove that this Sub-Woofer System can reproduce extra low frequencies (also subsonic frequencies)
Sub-woofer Bass Reflex System with 2 x 15'' woofers for each box All you need for the construction of the box is vinylic glue, recycled hard cardboard, tape, silicone and paint. ....... Very very cheap!!!!!! The box was built with 4 layers of thick cardboard glued together. As the glue dries it hardens and the layers become hard as wood. In this way the box is capable of resonance and can reproduce extra low frequencies. This system can reproduce very powerful basses. Music is played with a high efficiency almost as if the sub-woofer was built with wood. In this prototype we used black tape to cover the surface of the box but it is possible also to paint it once the glue has dried The woofers where fixed in place with silicone in order to seal and not permit any air to pass When we finished the box we carried out many acustic tests using for example rock (hardrock and heavymetal), classical music and nature sound effects such as waterfalls and others...... We also tested the sound of the tibetan horn which reproduces very very low frequencies. The vibrations can be percieved strongly on your stomach and the rest of your body as it happens when you physically stand next to a tibetan horn. Towards the end of the video you will find specific tests which prove that this Sub-Woofer System can reproduce extra low frequencies (also subsonic frequencies)
Tuesday, 26 February 2013
Pro Tools: Setting up the studio: Speakers and acoustics | lynda.com
Pro Tools: Setting up the studio: Speakers and acoustics | lynda.com Tube. Duration : 13.77 Mins.
Watch more at www.lynda.com This specific tutorial is a single movie from chapter one of the Mixing and Mastering with Pro Tools course presented by lynda.com author Brian Lee White. The complete course has a total duration of 9 hours and 18 minutes. Mixing and Mastering with Pro Tools table of contents: Introduction 1. Preparing to Mix 2. Working with the Pro Tools Mixer 3. Mixing Tools and Strategies 4. Understanding and Using EQ (Equalization) 5. Understanding and Using Dynamics Processors 6. Mixing with Reverb, Delay, and Other Effects 7. Introducing the Pro Tools Creative Collection 8. Automating the Mix 9. Putting It All Together 10. Mastering in Pro Tools 11. Reviewing Third-Party Plug-Ins 12. Additional Topics Conclusion
Watch more at www.lynda.com This specific tutorial is a single movie from chapter one of the Mixing and Mastering with Pro Tools course presented by lynda.com author Brian Lee White. The complete course has a total duration of 9 hours and 18 minutes. Mixing and Mastering with Pro Tools table of contents: Introduction 1. Preparing to Mix 2. Working with the Pro Tools Mixer 3. Mixing Tools and Strategies 4. Understanding and Using EQ (Equalization) 5. Understanding and Using Dynamics Processors 6. Mixing with Reverb, Delay, and Other Effects 7. Introducing the Pro Tools Creative Collection 8. Automating the Mix 9. Putting It All Together 10. Mastering in Pro Tools 11. Reviewing Third-Party Plug-Ins 12. Additional Topics Conclusion
Tuesday, 5 February 2013
Studio Konnekt 48 FireWire Audio Interface Introdution
Studio Konnekt 48 FireWire Audio Interface Introdution Tube. Duration : 6.98 Mins.
Learn about the outrageous amount of connectability and control options these FireWire interfaces have to offer. Whether you're a musician just learning to track your own stuff on a laptop or a studio pro going for unsurpassed input quality, there's a Konnekt getting you to the next level. Learn more about the Studio Konnekt 48 here: www.tcelectronic.com
Learn about the outrageous amount of connectability and control options these FireWire interfaces have to offer. Whether you're a musician just learning to track your own stuff on a laptop or a studio pro going for unsurpassed input quality, there's a Konnekt getting you to the next level. Learn more about the Studio Konnekt 48 here: www.tcelectronic.com
Michael Wagener in the Studio Part 2
Michael Wagener in the Studio Part 2 Tube. Duration : 5.47 Mins.
Michael Wagener has produced and engineered recordings that have sold over 90 million copies worldwide. Renowned in the industry for big, heavy guitar sounds, Michael's impressive list of credits include Mötley Crüe, Ozzy Osbourne, Metallica, Janet Jackson, Kings X, Dokken, Skid Row, and many more. Bonus Tech Tip from Michael Wagener As part of his recording process, Michael uses a technique he refers to as "Real-amping." In his own words, "What I do is, record the guitar with an amp sound and also as a DI track, using the Creation Audio Labs MW-1 ( ow.ly ). Then later, if I decide I want a bit more or less distortion, or want to add another amp tone, I use the MW-1 to send the DI signal back out into an amp. Sometimes it's easier to decide on the final amp sound when there are already a lot of the other instruments recorded. Works also very well when you want to add different sounds to a track." Michael's guitar amps of choice include the Randall modular series and Industrial Amps Rock 120, though lately Michael has become a big fan of Egnater amps (Link: ow.ly ), " . . . those are my newest find, love them." The Randall setup that Michael has been using as his primary tone factory with artists such as Kings X, comprises Randall two RT2-50 stereo tube power amps (ow.ly ) and two Randall RM4 preamp chassis (ow.ly ) (with one connected through the effects loop of the other). In one RM4, he Randall modular preamps he uses are the XTC Bogner (ow.ly ) (his favorite among the ...
Michael Wagener has produced and engineered recordings that have sold over 90 million copies worldwide. Renowned in the industry for big, heavy guitar sounds, Michael's impressive list of credits include Mötley Crüe, Ozzy Osbourne, Metallica, Janet Jackson, Kings X, Dokken, Skid Row, and many more. Bonus Tech Tip from Michael Wagener As part of his recording process, Michael uses a technique he refers to as "Real-amping." In his own words, "What I do is, record the guitar with an amp sound and also as a DI track, using the Creation Audio Labs MW-1 ( ow.ly ). Then later, if I decide I want a bit more or less distortion, or want to add another amp tone, I use the MW-1 to send the DI signal back out into an amp. Sometimes it's easier to decide on the final amp sound when there are already a lot of the other instruments recorded. Works also very well when you want to add different sounds to a track." Michael's guitar amps of choice include the Randall modular series and Industrial Amps Rock 120, though lately Michael has become a big fan of Egnater amps (Link: ow.ly ), " . . . those are my newest find, love them." The Randall setup that Michael has been using as his primary tone factory with artists such as Kings X, comprises Randall two RT2-50 stereo tube power amps (ow.ly ) and two Randall RM4 preamp chassis (ow.ly ) (with one connected through the effects loop of the other). In one RM4, he Randall modular preamps he uses are the XTC Bogner (ow.ly ) (his favorite among the ...
Monday, 4 February 2013
Dubliners (3 of 4)
Dubliners (3 of 4) Tube. Duration : 98.45 Mins.
Subtitles available. Audio courtesy of LibriVox. Part 3 read by: ontheroad, Elizabeth Klett, and Richard Wallis. CLICK HERE for MORE VIDEOS! www.youtube.com
Subtitles available. Audio courtesy of LibriVox. Part 3 read by: ontheroad, Elizabeth Klett, and Richard Wallis. CLICK HERE for MORE VIDEOS! www.youtube.com
Sunday, 3 February 2013
How to Build a Home Recording Studio : Pro Tools - Cubase (HD)
How to Build a Home Recording Studio : Pro Tools - Cubase (HD) Tube. Duration : 4.25 Mins.
CLICK HERE: www.kickstarter.com 1. GET a computer!!!"A fast computer" with fire wire and USB" 2. GET a sound card/interface 3.GET recording software ex. "Pro Tools" 4.GET Speakers/monitors 5.GET a main work station EX. Midi controller or Synthesizer 6.GET a pair of really GOOD Headphone 7.GET a condenser mic Hope this gave you some ideas!!!!!
CLICK HERE: www.kickstarter.com 1. GET a computer!!!"A fast computer" with fire wire and USB" 2. GET a sound card/interface 3.GET recording software ex. "Pro Tools" 4.GET Speakers/monitors 5.GET a main work station EX. Midi controller or Synthesizer 6.GET a pair of really GOOD Headphone 7.GET a condenser mic Hope this gave you some ideas!!!!!
Saturday, 2 February 2013
Unboxing: AKG K 271 MK II Studio Headphones
Unboxing: AKG K 271 MK II Studio Headphones Video Clips. Duration : 2.38 Mins.
Unboxing: AKG K 271 MK II Studio Headphones This is a quick unboxing of the AKG K 271 MKII Headphones. Check out what comes in the box and stay tuned for the full review! Twitter: www.twitter.com Facebook: www.facebook.com AKG K 271 mkII Headphones combine the benefits of AKG's circumaural design for extreme comfort, and a closed-back design for maximum isolation from ambient noise. Thanks to its XXL transducers, the K 271 MK II sounds clean, smooth and very rich. The K 271 MK II is the perfect choice for any application where sonic bleed could cause problems such as broadcast work. Another important feature of the K 271 MK II is the addition of a switch in the headband that mutes the audio just as soon as the headphones are taken off. Included Accessories 2 velour ear pads AKG EK 300 straight headphone cable AKG EK 500 S coiled headphone cable AKG K 271 mkII Features Professional circumaural hi-fi stereo studio headphones Self-adjusting headband for optimum fit Patented Varimotion speakers High noise attenuation For onstage and studio use Automute feature mutes headphones when they are taken off Leatherette and additional velvet ear pads Single-sided, detachable 3 m cable and additional 5 m coiled cable AKG Varimotion Technology The basis of superior audio performance The heart of any headphone is the diaphragm. Made of extremely thin foil, the diaphragm is required by transducer designers to perform incredible, almost artistic feats. The rim of the diaphragm must ...
Unboxing: AKG K 271 MK II Studio Headphones This is a quick unboxing of the AKG K 271 MKII Headphones. Check out what comes in the box and stay tuned for the full review! Twitter: www.twitter.com Facebook: www.facebook.com AKG K 271 mkII Headphones combine the benefits of AKG's circumaural design for extreme comfort, and a closed-back design for maximum isolation from ambient noise. Thanks to its XXL transducers, the K 271 MK II sounds clean, smooth and very rich. The K 271 MK II is the perfect choice for any application where sonic bleed could cause problems such as broadcast work. Another important feature of the K 271 MK II is the addition of a switch in the headband that mutes the audio just as soon as the headphones are taken off. Included Accessories 2 velour ear pads AKG EK 300 straight headphone cable AKG EK 500 S coiled headphone cable AKG K 271 mkII Features Professional circumaural hi-fi stereo studio headphones Self-adjusting headband for optimum fit Patented Varimotion speakers High noise attenuation For onstage and studio use Automute feature mutes headphones when they are taken off Leatherette and additional velvet ear pads Single-sided, detachable 3 m cable and additional 5 m coiled cable AKG Varimotion Technology The basis of superior audio performance The heart of any headphone is the diaphragm. Made of extremely thin foil, the diaphragm is required by transducer designers to perform incredible, almost artistic feats. The rim of the diaphragm must ...
Thursday, 31 January 2013
Trident Audio HG3 Studio Monitors - AES '09
Trident Audio HG3 Studio Monitors - AES '09 Tube. Duration : 5.08 Mins.
www.soundpure.com Trident Audio HG3 Studio Monitors designed by Harvey Gerst, bi-amplified, with a unique rotating mid-module (midrange and tweeter both rotate together), which enables dialing in the listening sweet-spot in virtually any listening environment. The speakers have already received extraordinary accolades from the industry's most discerning listeners. Trident Audio's entire new line is available for purchase through Sound Pure, who is always available to answer any questions you have about high-end recording equipment and expert recording techniques. Call Sound Pure toll free 888-528-9703, or e-mail them at sales@soundpure.com
www.soundpure.com Trident Audio HG3 Studio Monitors designed by Harvey Gerst, bi-amplified, with a unique rotating mid-module (midrange and tweeter both rotate together), which enables dialing in the listening sweet-spot in virtually any listening environment. The speakers have already received extraordinary accolades from the industry's most discerning listeners. Trident Audio's entire new line is available for purchase through Sound Pure, who is always available to answer any questions you have about high-end recording equipment and expert recording techniques. Call Sound Pure toll free 888-528-9703, or e-mail them at sales@soundpure.com
The High End Store
The High End Store Tube. Duration : 6.18 Mins.
A funny day at the high end audio store
A funny day at the high end audio store
Wednesday, 30 January 2013
Michael Wagener in the Studio Part 6
Michael Wagener in the Studio Part 6 Video Clips. Duration : 9.97 Mins.
Michael Wagener has produced and engineered recordings that have sold over 90 million copies worldwide. Renowned in the industry for big, heavy guitar sounds, Michael's impressive list of credits include Mötley Crüe, Ozzy Osbourne, Metallica, Janet Jackson, Kings X, Dokken, Skid Row, and many more. Bonus Tech Tip from Michael Wagener As part of his recording process, Michael uses a technique he refers to as "Real-amping." In his own words, "What I do is, record the guitar with an amp sound and also as a DI track, using the Creation Audio Labs MW-1 ( ow.ly ). Then later, if I decide I want a bit more or less distortion, or want to add another amp tone, I use the MW-1 to send the DI signal back out into an amp. Sometimes it's easier to decide on the final amp sound when there are already a lot of the other instruments recorded. Works also very well when you want to add different sounds to a track." Michael's guitar amps of choice include the Randall modular series and Industrial Amps Rock 120, though lately Michael has become a big fan of Egnater amps (Link: ow.ly ), " . . . those are my newest find, love them." The Randall setup that Michael has been using as his primary tone factory with artists such as Kings X, comprises Randall two RT2-50 stereo tube power amps (ow.ly ) and two Randall RM4 preamp chassis (ow.ly ) (with one connected through the effects loop of the other). In one RM4, he Randall modular preamps he uses are the XTC Bogner (ow.ly ) (his favorite among the ...
Michael Wagener has produced and engineered recordings that have sold over 90 million copies worldwide. Renowned in the industry for big, heavy guitar sounds, Michael's impressive list of credits include Mötley Crüe, Ozzy Osbourne, Metallica, Janet Jackson, Kings X, Dokken, Skid Row, and many more. Bonus Tech Tip from Michael Wagener As part of his recording process, Michael uses a technique he refers to as "Real-amping." In his own words, "What I do is, record the guitar with an amp sound and also as a DI track, using the Creation Audio Labs MW-1 ( ow.ly ). Then later, if I decide I want a bit more or less distortion, or want to add another amp tone, I use the MW-1 to send the DI signal back out into an amp. Sometimes it's easier to decide on the final amp sound when there are already a lot of the other instruments recorded. Works also very well when you want to add different sounds to a track." Michael's guitar amps of choice include the Randall modular series and Industrial Amps Rock 120, though lately Michael has become a big fan of Egnater amps (Link: ow.ly ), " . . . those are my newest find, love them." The Randall setup that Michael has been using as his primary tone factory with artists such as Kings X, comprises Randall two RT2-50 stereo tube power amps (ow.ly ) and two Randall RM4 preamp chassis (ow.ly ) (with one connected through the effects loop of the other). In one RM4, he Randall modular preamps he uses are the XTC Bogner (ow.ly ) (his favorite among the ...
Monday, 28 January 2013
Wilson Audio in the Mormon Tabernacle Choir Recording Studio
Wilson Audio in the Mormon Tabernacle Choir Recording Studio Tube. Duration : 5.08 Mins.
Every Sunday morning, the Mormon Tabernacle Choir broadcasts a live performance over the CBS Radio Network, the nation's longest-running continuous radio show. Trent Walker, the recording engineer in charge of the broadcast describes the process that led him to select Wilson loudspeakers for the control room, and the impact his decision had on the quality of the broadcast sound.
Every Sunday morning, the Mormon Tabernacle Choir broadcasts a live performance over the CBS Radio Network, the nation's longest-running continuous radio show. Trent Walker, the recording engineer in charge of the broadcast describes the process that led him to select Wilson loudspeakers for the control room, and the impact his decision had on the quality of the broadcast sound.
KRK VXT Active Studio Monitors Review @ Nevada Music UK
KRK VXT Active Studio Monitors Review @ Nevada Music UK Video Clips. Duration : 6.90 Mins.
Here.. www.nevadamusic.co.uk The KRK VXT range is a slightly upmarket studio monitor from the RP Rokit series and is aimed at the more discerning home/project studio owner, the VXT 6 is the mid sized monitor in the range and is a seriously good studio monitor that has been designed and crafted with care, it uses the very best base materials to produce professional level results albeit perhaps in smaller style control/mixing environments ... The VXT 6 deploys custom-designed drivers in a curved housing, in order to reduce diffraction and cabinet resonance, however rather than using wood or cast metal, the KRK cabinets are made from ABS structural foam, which is both strong and well-damped. The moulding process means that parallel walls can be eliminated, which reduces the build-up of internal standing waves at specific frequencies. Omni-mount points are fitted to the cabinets for fixed installation purposes and the metal rear panel doubles as a heat sink whilst mains power comes in on a conventional IEC socket - a kettle plug to you and I, with a power switch located on the back of the monitor. The VXT6 is a ported, active, two-way design, combining a one-inch, silk-domed tweeter with a six-inch bright yellow woven Kevlar-cone bass and mid driver, both of which are fitted to a metal baffle and are flush with the front of the cabinet. The audio signal comes in on either a balanced jack or an XLR via a Neutrik Combi socket, wired to the usual convention (pin 2 hot), though ...
Here.. www.nevadamusic.co.uk The KRK VXT range is a slightly upmarket studio monitor from the RP Rokit series and is aimed at the more discerning home/project studio owner, the VXT 6 is the mid sized monitor in the range and is a seriously good studio monitor that has been designed and crafted with care, it uses the very best base materials to produce professional level results albeit perhaps in smaller style control/mixing environments ... The VXT 6 deploys custom-designed drivers in a curved housing, in order to reduce diffraction and cabinet resonance, however rather than using wood or cast metal, the KRK cabinets are made from ABS structural foam, which is both strong and well-damped. The moulding process means that parallel walls can be eliminated, which reduces the build-up of internal standing waves at specific frequencies. Omni-mount points are fitted to the cabinets for fixed installation purposes and the metal rear panel doubles as a heat sink whilst mains power comes in on a conventional IEC socket - a kettle plug to you and I, with a power switch located on the back of the monitor. The VXT6 is a ported, active, two-way design, combining a one-inch, silk-domed tweeter with a six-inch bright yellow woven Kevlar-cone bass and mid driver, both of which are fitted to a metal baffle and are flush with the front of the cabinet. The audio signal comes in on either a balanced jack or an XLR via a Neutrik Combi socket, wired to the usual convention (pin 2 hot), though ...
Sunday, 27 January 2013
Sony MDR-V150 Studio Monitor Series Headphones review and SPL dB test
Sony MDR-V150 Studio Monitor Series Headphones review and SPL dB test Video Clips. Duration : 1.35 Mins.
Good headphone for good price. Sony; "Get in the groove with the MDR-V150 Studio Monitor Series headphones feature aupra-aural design for excellent listening comfort. Also included are the 30mm diameter drivers for deep bass, high-energy ferrite magnets and reversible earcups." Spec: Frequency Response : 18Hz - 22000Hz Sensitivity : 98dB/mW Impedance : 24 ohms Driver Unit : 30mm Power Handling Capacity : 500mW
Good headphone for good price. Sony; "Get in the groove with the MDR-V150 Studio Monitor Series headphones feature aupra-aural design for excellent listening comfort. Also included are the 30mm diameter drivers for deep bass, high-energy ferrite magnets and reversible earcups." Spec: Frequency Response : 18Hz - 22000Hz Sensitivity : 98dB/mW Impedance : 24 ohms Driver Unit : 30mm Power Handling Capacity : 500mW
Thursday, 24 January 2013
Studio News ! KRK ROCKIT INSIDE + Fat House Track @ End
Studio News ! KRK ROCKIT INSIDE + Fat House Track @ End Video Clips. Duration : 4.63 Mins.
What´s good, have buyed me a pair of KRK Rockit 5. Really fat Speakers, mastering and mixing is now a lot more perfect. The Lyrics @ the End of the Vids are just for imagination and make no sense. ;) ...like an Fantasy French Language. :-D
What´s good, have buyed me a pair of KRK Rockit 5. Really fat Speakers, mastering and mixing is now a lot more perfect. The Lyrics @ the End of the Vids are just for imagination and make no sense. ;) ...like an Fantasy French Language. :-D
Drunk On You Luke Bryan HQ Studio Version Official Version New Song 2011 Lyrics
Drunk On You Luke Bryan HQ Studio Version Official Version New Song 2011 Lyrics Video Clips. Duration : 3.57 Mins.
Drunk on You Luke Bryan Talgates and Tanlines Cotton wool fallin' like snow in July Sunset, riverside, 4 wheel drive and a tail light circle Roll down the windows turn it on up Pour a little crown in a dixie cup Get the party, started Girl you make my speakers go BOOM BOOM Dancin' on the tailgate in the full moon That kinda thing makes a man go mmm mmm You're lookin' so good in what's left of those blue jeans Drip of honey on the money make it gotta be The best buzz I'm ever gonna find Hey I'm a little drunk on you And high on summertime If you aint a 10 you're a 9.9 Tippin' n' spillin' that home made wine On your tied up T-shirt Every little kiss is drivin' me wild Thrown little cherry bombs into my fire Good god all mighty Girl you make my speakers go BOOM BOOM Dancin' on the tailgate in a full moon That kinda thing makes a man go mmm mmm You're lookin' so good in what's left of those blue jeans Drip of honey on the money make it gotta be The best buzz i'm ever gonna find Hey, I'm a little drunk on you And high on summertime So let's slip on out where it's a little bit darker And when it gets a little bit hotter We'll take it off all out in the water Girl you make my speakers go BOOM BOOM Dancin' on the tailgate in a full moon That kinda thing makes a man go mmm mmm You're lookin' so good in what's left of those blue jeans Drip of honey on the money make it gotta be, The best buzz i'm ever gonna find Hey I'm a little drunk on you And high on summertime Girl I'm a little ...
Drunk on You Luke Bryan Talgates and Tanlines Cotton wool fallin' like snow in July Sunset, riverside, 4 wheel drive and a tail light circle Roll down the windows turn it on up Pour a little crown in a dixie cup Get the party, started Girl you make my speakers go BOOM BOOM Dancin' on the tailgate in the full moon That kinda thing makes a man go mmm mmm You're lookin' so good in what's left of those blue jeans Drip of honey on the money make it gotta be The best buzz I'm ever gonna find Hey I'm a little drunk on you And high on summertime If you aint a 10 you're a 9.9 Tippin' n' spillin' that home made wine On your tied up T-shirt Every little kiss is drivin' me wild Thrown little cherry bombs into my fire Good god all mighty Girl you make my speakers go BOOM BOOM Dancin' on the tailgate in a full moon That kinda thing makes a man go mmm mmm You're lookin' so good in what's left of those blue jeans Drip of honey on the money make it gotta be The best buzz i'm ever gonna find Hey, I'm a little drunk on you And high on summertime So let's slip on out where it's a little bit darker And when it gets a little bit hotter We'll take it off all out in the water Girl you make my speakers go BOOM BOOM Dancin' on the tailgate in a full moon That kinda thing makes a man go mmm mmm You're lookin' so good in what's left of those blue jeans Drip of honey on the money make it gotta be, The best buzz i'm ever gonna find Hey I'm a little drunk on you And high on summertime Girl I'm a little ...
Monster Beats by Dr. Dre Studio High-Definition Headphones
Monster Beats by Dr. Dre Studio High-Definition Headphones Tube. Duration : 6.40 Mins.
Three years of thorough research and development resulted in the most incredible headphone speaker ever built. Beats features highly advanced materials and construction to deliver a new level of audio accuracy and clarity. Combining extra-large speaker drivers and a high-power digital amplifier, Beats delivers an unprecedented combination of super deep bass, smooth undistorted highs, and crystal clear vocals never heard before from headphones.
Three years of thorough research and development resulted in the most incredible headphone speaker ever built. Beats features highly advanced materials and construction to deliver a new level of audio accuracy and clarity. Combining extra-large speaker drivers and a high-power digital amplifier, Beats delivers an unprecedented combination of super deep bass, smooth undistorted highs, and crystal clear vocals never heard before from headphones.
Friday, 18 January 2013
Michael Wagener in the Studio Part 3
Michael Wagener in the Studio Part 3 Video Clips. Duration : 7.90 Mins.
Michael Wagener has produced and engineered recordings that have sold over 90 million copies worldwide. Renowned in the industry for big, heavy guitar sounds, Michael's impressive list of credits include Mötley Crüe, Ozzy Osbourne, Metallica, Janet Jackson, Kings X, Dokken, Skid Row, and many more. Bonus Tech Tip from Michael Wagener As part of his recording process, Michael uses a technique he refers to as "Real-amping." In his own words, "What I do is, record the guitar with an amp sound and also as a DI track, using the Creation Audio Labs MW-1 ( ow.ly ). Then later, if I decide I want a bit more or less distortion, or want to add another amp tone, I use the MW-1 to send the DI signal back out into an amp. Sometimes it's easier to decide on the final amp sound when there are already a lot of the other instruments recorded. Works also very well when you want to add different sounds to a track." Michael's guitar amps of choice include the Randall modular series and Industrial Amps Rock 120, though lately Michael has become a big fan of Egnater amps (Link: ow.ly ), " . . . those are my newest find, love them." The Randall setup that Michael has been using as his primary tone factory with artists such as Kings X, comprises Randall two RT2-50 stereo tube power amps (ow.ly ) and two Randall RM4 preamp chassis (ow.ly ) (with one connected through the effects loop of the other). In one RM4, he Randall modular preamps he uses are the XTC Bogner (ow.ly ) (his favorite among the ...
Michael Wagener has produced and engineered recordings that have sold over 90 million copies worldwide. Renowned in the industry for big, heavy guitar sounds, Michael's impressive list of credits include Mötley Crüe, Ozzy Osbourne, Metallica, Janet Jackson, Kings X, Dokken, Skid Row, and many more. Bonus Tech Tip from Michael Wagener As part of his recording process, Michael uses a technique he refers to as "Real-amping." In his own words, "What I do is, record the guitar with an amp sound and also as a DI track, using the Creation Audio Labs MW-1 ( ow.ly ). Then later, if I decide I want a bit more or less distortion, or want to add another amp tone, I use the MW-1 to send the DI signal back out into an amp. Sometimes it's easier to decide on the final amp sound when there are already a lot of the other instruments recorded. Works also very well when you want to add different sounds to a track." Michael's guitar amps of choice include the Randall modular series and Industrial Amps Rock 120, though lately Michael has become a big fan of Egnater amps (Link: ow.ly ), " . . . those are my newest find, love them." The Randall setup that Michael has been using as his primary tone factory with artists such as Kings X, comprises Randall two RT2-50 stereo tube power amps (ow.ly ) and two Randall RM4 preamp chassis (ow.ly ) (with one connected through the effects loop of the other). In one RM4, he Randall modular preamps he uses are the XTC Bogner (ow.ly ) (his favorite among the ...
Wednesday, 16 January 2013
Stairway to Heaven
Stairway to Heaven Tube. Duration : 9.23 Mins.
Led Zeppelin Orlando 1971 [Genuine Masters, 2CD] Live at the Civic Auditorium, Orlando, Florida, August 31, 1971 "Interestingly, I've just got a bootleg from a gig in Orlando and in between every song I'm playing all these riffs. Somebody played it to me and I thought, Crikey, they're really good riffs! They never got used again, but they just came out on the spur of the moment. It was such an inspiring time, playing with inspired people, and we were all absolutely on top of it." - Jimmy Page, Guitarist Magazine (12/12/03) There are three versions of this show in circulation: Welcome To Disneyland Part 1 And 2 (Lemon Song) is an incomplete audience recording. Florida Sunshine: Orlando Magic (Empress Valley) is a nearly-complete soundboard with the missing gaps filled with an audience recording. Then there is Orlando: You Really Got Me (Genuine Masters). The latter is a DVD release (photo stills as a slideshow) and is also a nearly-complete soundboard with the missing gaps filled with an audience recording. The sound is generally excellent. According to Jules McTrainspotter on uuweb.led-zeppelin.us, the sound on the DVD is more 'natural', that is, the sources have not been EQ'd to the extent that Empress Valley like to do it... and the blend between the two sources [soundboard and audience] is seamless. There is also excellent stereo seperation between both left and right speakers, quite distinct in What Is And What Should Never Be." Listening to the show today, one would ...
Led Zeppelin Orlando 1971 [Genuine Masters, 2CD] Live at the Civic Auditorium, Orlando, Florida, August 31, 1971 "Interestingly, I've just got a bootleg from a gig in Orlando and in between every song I'm playing all these riffs. Somebody played it to me and I thought, Crikey, they're really good riffs! They never got used again, but they just came out on the spur of the moment. It was such an inspiring time, playing with inspired people, and we were all absolutely on top of it." - Jimmy Page, Guitarist Magazine (12/12/03) There are three versions of this show in circulation: Welcome To Disneyland Part 1 And 2 (Lemon Song) is an incomplete audience recording. Florida Sunshine: Orlando Magic (Empress Valley) is a nearly-complete soundboard with the missing gaps filled with an audience recording. Then there is Orlando: You Really Got Me (Genuine Masters). The latter is a DVD release (photo stills as a slideshow) and is also a nearly-complete soundboard with the missing gaps filled with an audience recording. The sound is generally excellent. According to Jules McTrainspotter on uuweb.led-zeppelin.us, the sound on the DVD is more 'natural', that is, the sources have not been EQ'd to the extent that Empress Valley like to do it... and the blend between the two sources [soundboard and audience] is seamless. There is also excellent stereo seperation between both left and right speakers, quite distinct in What Is And What Should Never Be." Listening to the show today, one would ...
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