Link: www.buy.com Prodipe Pro Ribbon 5 Studio Monitors. So, what the heck is a Ribbon speaker/monitor? Compared to dome tweeters, either in metal, plastic or fabric, ribbon tweeters have the advantage of a much lower mass. The results are greater acceleration; then you can better reproduce transitions and high frequencies, and a more natural rendition for this end of the spectrum. Moreover, an improved performance in the high range leads to a better linkup with the speaker that does the other end of the spectrum. These extras make the monitors with a ribbon tweeter especially useful during acoustical music recordings where considerations of timbre and space are paramount. Frequency Response: 50Hz -30kHz High Frequency Driver: - 1? x 2"" - Ribbon tweeter Low Frequency Driver: - 5? (150 mm) - Glass Aramid Composite Cone Rubber surround Power : 75 Watts Signal to Noise Ratio (HF/LF): 82dB / 90dB THD%(HF/LF): 0.05% / 0.02% Input Impedance: - Balanced: 10K OhmS - Unbalanced: 10K OhmS Crossover Frequency: 3.0KHz Subsonic Filter: 45Hz FEATURES: - 1 XLR Input - 1 TRS Input - 1 RCA Input - IEC Mains Connector - VOLUME Control - HF LEVEL Control - Blue LED Power Indicator
Showing posts with label Monitors. Show all posts
Showing posts with label Monitors. Show all posts
Monday, 4 March 2013
Prodipe Pro Ribbon 5 Powered Studio Monitors
Prodipe Pro Ribbon 5 Powered Studio Monitors Tube. Duration : 0.98 Mins.
Link: www.buy.com Prodipe Pro Ribbon 5 Studio Monitors. So, what the heck is a Ribbon speaker/monitor? Compared to dome tweeters, either in metal, plastic or fabric, ribbon tweeters have the advantage of a much lower mass. The results are greater acceleration; then you can better reproduce transitions and high frequencies, and a more natural rendition for this end of the spectrum. Moreover, an improved performance in the high range leads to a better linkup with the speaker that does the other end of the spectrum. These extras make the monitors with a ribbon tweeter especially useful during acoustical music recordings where considerations of timbre and space are paramount. Frequency Response: 50Hz -30kHz High Frequency Driver: - 1? x 2"" - Ribbon tweeter Low Frequency Driver: - 5? (150 mm) - Glass Aramid Composite Cone Rubber surround Power : 75 Watts Signal to Noise Ratio (HF/LF): 82dB / 90dB THD%(HF/LF): 0.05% / 0.02% Input Impedance: - Balanced: 10K OhmS - Unbalanced: 10K OhmS Crossover Frequency: 3.0KHz Subsonic Filter: 45Hz FEATURES: - 1 XLR Input - 1 TRS Input - 1 RCA Input - IEC Mains Connector - VOLUME Control - HF LEVEL Control - Blue LED Power Indicator
Link: www.buy.com Prodipe Pro Ribbon 5 Studio Monitors. So, what the heck is a Ribbon speaker/monitor? Compared to dome tweeters, either in metal, plastic or fabric, ribbon tweeters have the advantage of a much lower mass. The results are greater acceleration; then you can better reproduce transitions and high frequencies, and a more natural rendition for this end of the spectrum. Moreover, an improved performance in the high range leads to a better linkup with the speaker that does the other end of the spectrum. These extras make the monitors with a ribbon tweeter especially useful during acoustical music recordings where considerations of timbre and space are paramount. Frequency Response: 50Hz -30kHz High Frequency Driver: - 1? x 2"" - Ribbon tweeter Low Frequency Driver: - 5? (150 mm) - Glass Aramid Composite Cone Rubber surround Power : 75 Watts Signal to Noise Ratio (HF/LF): 82dB / 90dB THD%(HF/LF): 0.05% / 0.02% Input Impedance: - Balanced: 10K OhmS - Unbalanced: 10K OhmS Crossover Frequency: 3.0KHz Subsonic Filter: 45Hz FEATURES: - 1 XLR Input - 1 TRS Input - 1 RCA Input - IEC Mains Connector - VOLUME Control - HF LEVEL Control - Blue LED Power Indicator
Thursday, 31 January 2013
Trident Audio HG3 Studio Monitors - AES '09
Trident Audio HG3 Studio Monitors - AES '09 Tube. Duration : 5.08 Mins.
www.soundpure.com Trident Audio HG3 Studio Monitors designed by Harvey Gerst, bi-amplified, with a unique rotating mid-module (midrange and tweeter both rotate together), which enables dialing in the listening sweet-spot in virtually any listening environment. The speakers have already received extraordinary accolades from the industry's most discerning listeners. Trident Audio's entire new line is available for purchase through Sound Pure, who is always available to answer any questions you have about high-end recording equipment and expert recording techniques. Call Sound Pure toll free 888-528-9703, or e-mail them at sales@soundpure.com
www.soundpure.com Trident Audio HG3 Studio Monitors designed by Harvey Gerst, bi-amplified, with a unique rotating mid-module (midrange and tweeter both rotate together), which enables dialing in the listening sweet-spot in virtually any listening environment. The speakers have already received extraordinary accolades from the industry's most discerning listeners. Trident Audio's entire new line is available for purchase through Sound Pure, who is always available to answer any questions you have about high-end recording equipment and expert recording techniques. Call Sound Pure toll free 888-528-9703, or e-mail them at sales@soundpure.com
Monday, 28 January 2013
KRK VXT Active Studio Monitors Review @ Nevada Music UK
KRK VXT Active Studio Monitors Review @ Nevada Music UK Video Clips. Duration : 6.90 Mins.
Here.. www.nevadamusic.co.uk The KRK VXT range is a slightly upmarket studio monitor from the RP Rokit series and is aimed at the more discerning home/project studio owner, the VXT 6 is the mid sized monitor in the range and is a seriously good studio monitor that has been designed and crafted with care, it uses the very best base materials to produce professional level results albeit perhaps in smaller style control/mixing environments ... The VXT 6 deploys custom-designed drivers in a curved housing, in order to reduce diffraction and cabinet resonance, however rather than using wood or cast metal, the KRK cabinets are made from ABS structural foam, which is both strong and well-damped. The moulding process means that parallel walls can be eliminated, which reduces the build-up of internal standing waves at specific frequencies. Omni-mount points are fitted to the cabinets for fixed installation purposes and the metal rear panel doubles as a heat sink whilst mains power comes in on a conventional IEC socket - a kettle plug to you and I, with a power switch located on the back of the monitor. The VXT6 is a ported, active, two-way design, combining a one-inch, silk-domed tweeter with a six-inch bright yellow woven Kevlar-cone bass and mid driver, both of which are fitted to a metal baffle and are flush with the front of the cabinet. The audio signal comes in on either a balanced jack or an XLR via a Neutrik Combi socket, wired to the usual convention (pin 2 hot), though ...
Here.. www.nevadamusic.co.uk The KRK VXT range is a slightly upmarket studio monitor from the RP Rokit series and is aimed at the more discerning home/project studio owner, the VXT 6 is the mid sized monitor in the range and is a seriously good studio monitor that has been designed and crafted with care, it uses the very best base materials to produce professional level results albeit perhaps in smaller style control/mixing environments ... The VXT 6 deploys custom-designed drivers in a curved housing, in order to reduce diffraction and cabinet resonance, however rather than using wood or cast metal, the KRK cabinets are made from ABS structural foam, which is both strong and well-damped. The moulding process means that parallel walls can be eliminated, which reduces the build-up of internal standing waves at specific frequencies. Omni-mount points are fitted to the cabinets for fixed installation purposes and the metal rear panel doubles as a heat sink whilst mains power comes in on a conventional IEC socket - a kettle plug to you and I, with a power switch located on the back of the monitor. The VXT6 is a ported, active, two-way design, combining a one-inch, silk-domed tweeter with a six-inch bright yellow woven Kevlar-cone bass and mid driver, both of which are fitted to a metal baffle and are flush with the front of the cabinet. The audio signal comes in on either a balanced jack or an XLR via a Neutrik Combi socket, wired to the usual convention (pin 2 hot), though ...
Wednesday, 9 January 2013
KRK Rokit Active Studio Monitors Review @ Nevada Music UK
KRK Rokit Active Studio Monitors Review @ Nevada Music UK Tube. Duration : 4.20 Mins.
Here... www.nevadamusic.co.uk It's now perfectly possible to get some really great sounding studio monitors for an affordable amount of money, take for example the KRK RP6 (Rokkit Powered) two way active studio monitors depicted here ... KRK have a very credible reputation as the manufacturers of accurate yet excellent sounding studio monitors, their speakers are used by the good and the great and if you'd care to check via the World Wide Web you'll find KRK monitors in some of the very best recording studios on the planet ... However, let me say at this point that accurate studio monitors are incapable of lying, so if the sound is poor when being recorded it will still be poor when played back through some otherwise commendable studio monitors such as the KRK RP6's. None the less, assuming that you have good quality throughout your audio chain the RP6's will give you totally accurate results and thereby help you with the task of mixing. For me their greatest detail is in the mid-range as I personally beleive if you can get the mid-range frequencies right in a mix then you're half way to a successful mix completion. The mid-range on the RP6 model is open and airy with well defined character, there's no cloudyness or muddy mid-range here and that in turn seems to tighten the bottom end and compartmentalise the frequencies, for although this is only a 6 " speaker it still provides a big sound with a decent amount of bottom end. This is probably due to the aforementioned 6 ...
Here... www.nevadamusic.co.uk It's now perfectly possible to get some really great sounding studio monitors for an affordable amount of money, take for example the KRK RP6 (Rokkit Powered) two way active studio monitors depicted here ... KRK have a very credible reputation as the manufacturers of accurate yet excellent sounding studio monitors, their speakers are used by the good and the great and if you'd care to check via the World Wide Web you'll find KRK monitors in some of the very best recording studios on the planet ... However, let me say at this point that accurate studio monitors are incapable of lying, so if the sound is poor when being recorded it will still be poor when played back through some otherwise commendable studio monitors such as the KRK RP6's. None the less, assuming that you have good quality throughout your audio chain the RP6's will give you totally accurate results and thereby help you with the task of mixing. For me their greatest detail is in the mid-range as I personally beleive if you can get the mid-range frequencies right in a mix then you're half way to a successful mix completion. The mid-range on the RP6 model is open and airy with well defined character, there's no cloudyness or muddy mid-range here and that in turn seems to tighten the bottom end and compartmentalise the frequencies, for although this is only a 6 " speaker it still provides a big sound with a decent amount of bottom end. This is probably due to the aforementioned 6 ...
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