Led Zeppelin Orlando 1971 [Genuine Masters, 2CD] Live at the Civic Auditorium, Orlando, Florida, August 31, 1971 "Interestingly, I've just got a bootleg from a gig in Orlando and in between every song I'm playing all these riffs. Somebody played it to me and I thought, Crikey, they're really good riffs! They never got used again, but they just came out on the spur of the moment. It was such an inspiring time, playing with inspired people, and we were all absolutely on top of it." - Jimmy Page, Guitarist Magazine (12/12/03) There are three versions of this show in circulation: Welcome To Disneyland Part 1 And 2 (Lemon Song) is an incomplete audience recording. Florida Sunshine: Orlando Magic (Empress Valley) is a nearly-complete soundboard with the missing gaps filled with an audience recording. Then there is Orlando: You Really Got Me (Genuine Masters). The latter is a DVD release (photo stills as a slideshow) and is also a nearly-complete soundboard with the missing gaps filled with an audience recording. The sound is generally excellent. According to Jules McTrainspotter on uuweb.led-zeppelin.us, the sound on the DVD is more 'natural', that is, the sources have not been EQ'd to the extent that Empress Valley like to do it... and the blend between the two sources [soundboard and audience] is seamless. There is also excellent stereo seperation between both left and right speakers, quite distinct in What Is And What Should Never Be." Listening to the show today, one would ...
Showing posts with label Heaven. Show all posts
Showing posts with label Heaven. Show all posts
Wednesday, 16 January 2013
Stairway to Heaven
Stairway to Heaven Tube. Duration : 9.23 Mins.
Led Zeppelin Orlando 1971 [Genuine Masters, 2CD] Live at the Civic Auditorium, Orlando, Florida, August 31, 1971 "Interestingly, I've just got a bootleg from a gig in Orlando and in between every song I'm playing all these riffs. Somebody played it to me and I thought, Crikey, they're really good riffs! They never got used again, but they just came out on the spur of the moment. It was such an inspiring time, playing with inspired people, and we were all absolutely on top of it." - Jimmy Page, Guitarist Magazine (12/12/03) There are three versions of this show in circulation: Welcome To Disneyland Part 1 And 2 (Lemon Song) is an incomplete audience recording. Florida Sunshine: Orlando Magic (Empress Valley) is a nearly-complete soundboard with the missing gaps filled with an audience recording. Then there is Orlando: You Really Got Me (Genuine Masters). The latter is a DVD release (photo stills as a slideshow) and is also a nearly-complete soundboard with the missing gaps filled with an audience recording. The sound is generally excellent. According to Jules McTrainspotter on uuweb.led-zeppelin.us, the sound on the DVD is more 'natural', that is, the sources have not been EQ'd to the extent that Empress Valley like to do it... and the blend between the two sources [soundboard and audience] is seamless. There is also excellent stereo seperation between both left and right speakers, quite distinct in What Is And What Should Never Be." Listening to the show today, one would ...
Led Zeppelin Orlando 1971 [Genuine Masters, 2CD] Live at the Civic Auditorium, Orlando, Florida, August 31, 1971 "Interestingly, I've just got a bootleg from a gig in Orlando and in between every song I'm playing all these riffs. Somebody played it to me and I thought, Crikey, they're really good riffs! They never got used again, but they just came out on the spur of the moment. It was such an inspiring time, playing with inspired people, and we were all absolutely on top of it." - Jimmy Page, Guitarist Magazine (12/12/03) There are three versions of this show in circulation: Welcome To Disneyland Part 1 And 2 (Lemon Song) is an incomplete audience recording. Florida Sunshine: Orlando Magic (Empress Valley) is a nearly-complete soundboard with the missing gaps filled with an audience recording. Then there is Orlando: You Really Got Me (Genuine Masters). The latter is a DVD release (photo stills as a slideshow) and is also a nearly-complete soundboard with the missing gaps filled with an audience recording. The sound is generally excellent. According to Jules McTrainspotter on uuweb.led-zeppelin.us, the sound on the DVD is more 'natural', that is, the sources have not been EQ'd to the extent that Empress Valley like to do it... and the blend between the two sources [soundboard and audience] is seamless. There is also excellent stereo seperation between both left and right speakers, quite distinct in What Is And What Should Never Be." Listening to the show today, one would ...
Saturday, 12 January 2013
Stairway to Heaven played on Penny Whistle (Tin Whistle)
Stairway to Heaven played on Penny Whistle (Tin Whistle) Video Clips. Duration : 8.73 Mins.
They said it couldn't be done, they said it shouldn't be done... but here it is! The technical stuff The main tune is played on my trusty Clarke C whistle. The high tune at the end is played on generation G whistle and an octave down on Clarke C with the two instruments placed on the left and right speakers. part of the main melody was recorded twice on the Clarke whistle and placed on opposite speakers to give the sound more core. The organ is actually midi organ off my sound card but recorded as a separate track with a phasing effect to make it sound like its going through a Leslie speaker. The choir of whistles in the opening section and under the tune is a four track harmony of Schlegel wooden whistle in C which sounds like a recorder. These are the same design as the Tamlinn whistles. By the time the reverb tracks were created there were over 20 tracks that had to be mixed down to create the finished recording. The music itself started as a detailed score. I marked this up with what instrument was to do what sections and which bits needed beefed up by overdubbing. Its not perfect but its a good attempt.
They said it couldn't be done, they said it shouldn't be done... but here it is! The technical stuff The main tune is played on my trusty Clarke C whistle. The high tune at the end is played on generation G whistle and an octave down on Clarke C with the two instruments placed on the left and right speakers. part of the main melody was recorded twice on the Clarke whistle and placed on opposite speakers to give the sound more core. The organ is actually midi organ off my sound card but recorded as a separate track with a phasing effect to make it sound like its going through a Leslie speaker. The choir of whistles in the opening section and under the tune is a four track harmony of Schlegel wooden whistle in C which sounds like a recorder. These are the same design as the Tamlinn whistles. By the time the reverb tracks were created there were over 20 tracks that had to be mixed down to create the finished recording. The music itself started as a detailed score. I marked this up with what instrument was to do what sections and which bits needed beefed up by overdubbing. Its not perfect but its a good attempt.
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